She writes: With my
exragazza now we have left well, by mutual agreement (let's just say we had become friends more than lovers and leave out everything else). Sure, I'll see less than before and certainly there is some embarrassment, but from my point of view, everything was fine. Yet it is a bit 'of time that is hateful towards me, and I reproached gestures or conduct on which I had never had anything to say. Or put them in connection with the fact that we broke up, like "that time you told me so and so was because you knew that we would leave," and I make a tremendous effort to explain that no, I was in good faith and so on. But we suffer from a casino.
many people, male and female, when a story ends an analysis of the report, review by scrolling to practice and ending an operation called a revision sentimental.
when we leave, we are imbued with a sense of failure and emptiness (although in many cases dominated by the relief). must try to overcome that feeling, understanding why things went wrong and try to learn some vague lesson for the future. Unfortunately, for many it is easier to shear self-analysis in the bud and tie all the blame ex-partner, thereby protecting its image than themselves.
this tic memory itself is not harmless, leading to short-circuit when they emerge the best memories, that perfect weekend, dinner by candlelight, a gift well chosen, because they do not fit with the revisionism that has been prepared. did thirty, thirty-one is too easy to do: the former becomes a monster of wickedness, false and deceptive, even in those moments seemingly idyllic, who drew his sinister ulterior motives in mind the outright deception of the auditor.
when you find yourself in the show, unfortunately it is difficult to remedy and to change its mind to another. can be groped, even if you spoke to him, to overwhelm him with a string of beautiful memories, so that revisionism is not able to keep pace. but it is not guaranteed to work.
personally, I prefer to think that he was always with the right people. right at that moment, in those months, in those years, even if maybe the story is over. is a way to give the right value to people, the time is spent with them, the energies that have been invested. I find it sad, however, due to the common denominator in each report for its failure. yes, it is also a choice of selfishness, because remember its romantic past as a sequence of only negative experiences?
this tic memory itself is not harmless, leading to short-circuit when they emerge the best memories, that perfect weekend, dinner by candlelight, a gift well chosen, because they do not fit with the revisionism that has been prepared. did thirty, thirty-one is too easy to do: the former becomes a monster of wickedness, false and deceptive, even in those moments seemingly idyllic, who drew his sinister ulterior motives in mind the outright deception of the auditor.
when you find yourself in the show, unfortunately it is difficult to remedy and to change its mind to another. can be groped, even if you spoke to him, to overwhelm him with a string of beautiful memories, so that revisionism is not able to keep pace. but it is not guaranteed to work.
personally, I prefer to think that he was always with the right people. right at that moment, in those months, in those years, even if maybe the story is over. is a way to give the right value to people, the time is spent with them, the energies that have been invested. I find it sad, however, due to the common denominator in each report for its failure. yes, it is also a choice of selfishness, because remember its romantic past as a sequence of only negative experiences?
0 comments:
Post a Comment